The outcome is that of a contemporary-day Bosch painting — a hellish eyesight of the city collapsing in on itself. “Jungle Fever” is its own concussive pressure, bursting with so many ideas and themes about race, politics, and love that they almost threaten to cannibalize each other.
But no single aspect of this movie can account for why it congeals into something more than a cute concept done well. There’s a rare alchemy at work here, a particular magic that sparks when Stephen Warbeck’s rollicking score falls like pillow feathers over the sight of a goateed Ben Affleck stage-fighting on the Globe (“Gentlemen upstage, ladies downstage…”), or when Colin Firth essentially soils himself over Queen Judi Dench, or when Viola declares that she’s discovered “a completely new world” just some short days before she’s forced to depart for another just one.
The cleverly deceitful marketing campaign that turned co-administrators Daniel Myrick and Eduardo Sánchez’s first feature into among the list of most profitable movies due to the fact “Deep Throat” was designed to goad people into assuming “The Blair Witch Project” was real (the trickery involved using something called a “website”).
Other fissures emerge along the family’s fault lines from there because the legends and superstitions of their past once again become as viscerally powerful and alive as their challenging love for each other. —RD
It’s now the fashion for straight actors to “go gay” onscreen, but rarely are they as naked (figuratively and otherwise) than Phoenix and Reeves were here. —RL
We can easily never be sure who’s who in this film, and if the blood on their hands is real or possibly a diabolical trick. That being said, just one thing about “Lost Highway” is absolutely fixed: This could hot porn be the Lynch movie that’s the most of its time. Not in a bad way, of course, but the film just screams
“He exists now only in my memory,” Rose said of Jack before sharing her story with Invoice Paxton (RIP) and his crew; through the time she reached the end of it, the late Mr. Dawson would be remembered because of the entire world. —DE
Established in Calvinist small town atop the Scottish Highlands, it's the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman who's got sex with other Adult men to please her husband after a collision has left him immobile. —
“To me, ‘Paris Is Burning’ is such a gift in the sense that it introduced me to some world and also to people who were very much like me,’” Janet Mock told IndieWire in 2019.
this fantastical take on Elton John’s story doesn’t straight-clean its subject’s intercourse life. Pair it with 1998’s Velvet Goldmine
The magic of mrdeepfake Leconte’s monochromatic fairy tale, a Fellini-esque throwback that fizzes along the Mediterranean Coastline with the madcap energy of a “Lupin the III” episode, begins with The actual fact that Gabor doesn’t even check out (the the latest flimsiness of his knife-throwing act suggests an impotence of the different kind).
The ’90s began with a revolt against the kind of bland Hollywood solution that people might eliminate to discover in theaters today, creaking open a small window of time in which outdoor sex a more commercially practical American independent cinema began seeping into mainstream fare. Young and exciting directors, many of whom at the moment are major auteurs and perennial IndieWire favorites, were given the assets to make multiple films — some of them on massive scales.
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A crime epic that will likely stand given that the pinnacle accomplishment and clearest, nevertheless most complex, expression with the great Michael Mann’s cinematic vision. There are so many sequences of staggering filmmaking accomplishment — the bfxxx opening eighteen-wheeler heist, Pacino realizing they’ve been made, De Niro’s glass seaside home and his first evening with Amy Brenneman, the shootout downtown, the climatic mano-a-mano shootout — that it’s hard to believe it’s all inside the same film.